The idea of a guitar-less band with three bass players and an occasional violinist may reek of pretentiousness to many. But when it comes to the experimentation going on during the glorious 1990's, it isn't fair to jump so hastily to such conclusions. The line-up described above corresponds to Montreal's short-lived, yet mighty Seized. Finding information about these guys is a real futility frolic, but what is clear is that this band generated a mere nine brooding sludge dirges during the mid '90's that lull you at first, but then infect you virus-like while your guard is down. On their early tracks, which kick off the Seized Discography CD (Hater of God Records), the bass distortion is so thick, it's difficult to distinguish each musician's part. On these offerings, the band keeps its sound in the traditional sludge range, entrancing the listener with plodding, steady rhythms and ominous riffs. As the band reached its second phase, their sound adopted more progressive song structures and continued the use of their grindcore style vocals while adding a spoken dimension to them at times. The distortion on the basses is toned down a bit, revealing the interplay between them much more on these tracks. The musicians seem to have also found a new sense of liberation from the simple, 70's style rock/metal riffs, and dabble in a more expansive variety of stylistic arrangements. I wouldn't make too big a deal about the violin mentioned above; simple violin melodies are interspersed on the split LP (with Ire) tracks, but it is not central to the band's sound. I think I enjoy these later tracks better(#'s 5-9), and if you're new to Seized, I would recommend listening to the entire Discography before making up your mind about them. Is there any point to making comparisons? Pointing out the few likenesses to Man Is The Bastard is tempting, but inadequate, and all other such attempts will be similarly flaccid. So the only thing to do, is listen:
Seized "Discography CD"
Buy yourself a copy: