Hybride

I'll go ahead and leave Canada alone for while, but not without first dropping a double regiment of Hybride. I can't find much information about these guys, but on the 10" depicted above, prepare yourself for a seriously fucked up guitar sound and some noise rock/sludge/hardcore that leaves me with the same sickened satisfaction as the Gasp demo or the Insuiciety 10". There's a looseness of structure and direction that the band would shed a bit on their...
...7" a year or two later. On this, their final (?), outing the band stripped their sound down almost to the bones and opted for a mean, almost unencumbered sludge-metal approach. They also kept only Mélanie on vocals, and in isolation she reminds me a lot of the Daymare singer (maybe it's just because her screams are high-pitched and in French). I can't pick a favorite between the two records as it really depends if you're in the mood for some psychedelic chaos or more measured heaviosity. Both are in the folder below.

Hybride 10" & 7" (Spineless and Bad Card Records respectively)

In the Wake of an Ethereal Nightmare

In collaboration with 15 Counts of Arson, Ire week comes to an early terminus. Head over there to download Ire's first LP and scroll down a little for the second and some early tracks. I predict some disagreement as to which of the band's releases showcases their best material; since I have the floor, I'll say that "What Seed, What Root?" is my favorite. It really is a matter of taste, but on "WSWR?" I love the way the band exchanged some of the emotive sentimentality and cold mathematics of their previous two phases for warmer, riff-centered song-writing, along with some crushingly repetitive, hypnotic sequences. The song lengths are a bit shorter than their first LP, but the entire project retains an expansive feel as each song flows into the next with a narrative fluidity. To allocate Ire to a genre at the end of their career is not easy, but they might have found a comfortable spot near Token Tantrum or Lost, yet I can see logically how some of the members would be involved in The Black Hand demo as their next project. For full enjoyment, play it loud, and play it when you're not too antsy or distracted.

"What Seed, What Root?" by Ire (Scorched Earth Policy Records, 1999)

Appreciating Darkness

Our exploration of Canada's contribution to nineties hardcore and metal continues with a fairly unique split LP between Seized and Ire. For most of its life on my turn table, I had only listened to the Seized side-- their sound being unlike anything else I was listening to at the time, yet the tracks were powerful and engaging. Perhaps I was seduced by each track's serene opening, each following an idyllic trail that slowly darkens into a forest of mysterious and sinister goings-on. To say that the tracks are bass-driven is a redundancy after we see in the notes that there are three bass players and no guitarist in the lineup. Seized also employed a violinist who knows her limitations and adds great ambiance, and a vocalist who might have listened to some Cathedral records at some point. If all of this sounds strange, it's because it is; but not in a bad way. Seized is a case where oddness enhances greatness. These would be the last tracks the band would record (and the best), but they also left behind two split 7"s and I believe a 7".
My avoidance of Ire would end with time and the inevitable opening-up of my musical tastes. I still have reservations over the "PC" spoken word portion at the end of "She," (not over its validity, but over its necessity/delivery) but now I just dismiss it as a product of the zeitgeist. At this point, the backbone of Ire's metal was ossified of the same stuff as Rorschach, but tending in the more "sentimental" direction (read: "EMOtive") of bands like Groundwork or Grievance. As the band worked out its ideas, it's easy to see that these guys were endowed with considerable skill and conviction which would continue...

... on their follow-up 7" also posted below. These three tracks see the band giving into their aggressive tendencies and abandoning some of the dissonant flourishes present in past tracks. As is perhaps predictable with musicians like these, the band would experiment a little more with their style on their ensuing two LPs, which I hope to post later this week.

Seized/Ire Split LP (Spineless/Fetus Records)

Ire 7" (Schema Records)

The Slaughter of Immortals

I was looking for more Wisigoth material in order to compliment this excellent 7" and offer a more extensive post. Unfortunately, this didn't happen before the urge to post it took over. Wisigoth was a Canadian band that sliced and trampled its way into the secret society of bands ruled over by Dystopia-- bands with a definite metal base, but with leanings toward crust, a DIY hardcore ethic, and tempos that earn them sludge honors. If you're into other French-Canadien metal/crust/grind/sludge, you either already dig these guys or will have no problem doing so. Since I'm on this whole kick of doing series, look out for more Canadian stuff this week.

Wisigoth- "Une Hécatombe Pour Les Immortels..." 7" (Spineless Records, 1997)

Quinientos Años

I've been putting this off for too long. This is a repost of the "In the Spirit of Total Resistance" 2X7"-- one of my all time favorite comps. Seven bands assembled to attack Man's inhumanity and celebrate the 500 years of resistance enacted by indigenous peoples of the west, from Canada to Puerto Rico. The brutality is amply provided by Crudos, Huasipungo, Man is the Bastard and One by One, while Jonestown, Pollution Circus, and Dogfight inject a balancing dosage of eclecticism. In true repost fashion, the tracks have been re-ripped at 320, and photos of the entire layout and 60 page book have been made available.

The Comp

The Book

The Kaaos Continues

You may have to sublimate your hate for tribute records to enjoy this one. If you love Finnish hardcore, it shouldn't be hard. Some of that country's finest bands from the nineties and beyond cover one of its finest from the eighties (the one exception would be Portland, Oregon's Detestation... Doom was supposed to contribute but missed the deadlines). Many of the covers are fairly traditional, although each band leaves its indelible signature. The ones who really bring something new to the picture are Olotila, Silmäosasto, and Absurd Attitude, in most cases with pleasing results. Taken as a whole, this is a great listen and a worthy tribute. There is a rare 3 X7" version out there too, if anyone has info on that.

"The Tribute to Kaaos- The Chaos Continues" 2X7" comp. (The End Records, Finland)

Vacation has officially begun! Expect a higher frequency of postings...

400DayHeadache

We're gonna slow things down a little, add a pinch of dissonance, and coat them with a nice glaze of melody for easy ingestion. "400 Day Headache" spins like a good Allied Records comp from the mid nineties, but this one was put out by an operation called Unite and Fight Records. The cover above has a few very recognizable names, but a few that are less so offer some pretty impressive contributions as well. A very nice listen that brings back angst-y coming of age memories-- as does the suggested retail price. Four bucks in 1993 got you an LP shipped to your doorstep, and the label was still able to send fifty cents of the proceeds to The Rainforest Action Network. Bygone as those days seem, at least these days you can get a free simulation of the real thing beamed right to you...

"400 Day Headache" LP

Left Back, Let Down

Compilation week was interrupted by life, so we will call this Compilation Series, part II. I've got two or three more in the chamber, but for today we have the classic four-way split between Stapled Shut, Crom, Spazz, and Despise You. The only reason not to post this is that it's probably already all over the download circuit (circus). But that's not good enough for me. The impulse to post this was too strong. So here it is, ripped from the vinyl at 320...

"Left Back-Let Down" 2x7" Comp. (Pessimiser/Theologian Records, 1995?)

Spazz Lyrics:

Unforeseen Disasters

Another exhumed time capsule of the nineties, the "Unforeseen Disasters" comp offers an almost complete sampling of what was going on in that decade. Specifically, this one was planted in the loamy catacombs of The South, even more specifically, Georgia and the Carolinas. Of greatest interest for me is what I believe to be an exclusive track from Damad, which represents one of their earliest vinyl outings (along with the In/Humanity split). The same can be said for Initial State's "Die Silent," but that track also appears on a No Idea comp and on the band's own LP. In/Humanity, Quadiliacha, Blownapart Bastards, and El Toro each bring an eclectic tidbit to the gathering, making this shindig short, but hotter than Georgia asphalt.

"Unforeseen Disasters" (Passive Fist Records, 1994)

Uña de Gato...

Spring cleaning and some recent landscaping endeavors have rekindled a tight bond I once held with compilations. Cuing a few of them up while knocking out some grueling task just seems to work: fade in when the winners come on-- fade out during the duds. And so we arrive at another compilation week, but one that I hope will rejuvenate interest in a format tarnished by saturation and mediocrity. I can try at least. The best way to start is with "Uña de Gato- Cuerno de Vaca," a rare 2X7" of heavy bands Tee Pee Records put out 15 years ago. There are many reasons to start here, one is that a nice commenter requested it, but you may be more interested in reasons like El Dopa, Corrupted, Logical Nonsense, and Cattle Press. Some of the other bands are interesting too, but with a line up like this, they become an after-thought.

"Uña de Gato..."

On a side note, the same commenter who was looking for this was looking for other Cattle Press and IaborHer rarities. Justin at Mustard Relics tracked down a couple.

One Less God

Reasons to rejoice over the Godless 7": 1. It's fucking Godless! 2. Rough versions of "OCA", "Equal" and "Blood and Tears." 3. Two exclusive tracks. 4. A ripping Sin 34 cover. As unpolished as the production is, the recording dates indicate that this may have been their last release. The band also added two more musicians, freeing Leslie up to focus solely on vocals; but rest assured, this is the same Godless of Portland who caroled at your virtual door last Christmas, ate all your cookies, drank all your schnapps, and left a year's worth of melody on your lips.

The Godless 7"

Shrieking in Three Movements

Alarido is an anomalous arctic blast, ravaging the sun-smitten Nevada desert landscape. The band's first cassette is a three-part odyssey of what Painajainen calls "crust/d-beat with black metal influences," and that sums it up as well as any label could. What he's too modest to say is that this tape completely rules. What turns out to be nineteen minutes of music, seems like only five, as the band seamlessly navigates through violent blizzards of blast-beats, searing d-beat siroccos, and the occasional rest on an inland sea of acoustic tranquility. You definitely don't want to miss this one, or the next tape which is in the works.

Buy the first cassette here

Download here

Crashin' Down the Halls & Bouncin' Off the Walls

Words are so two-dimensional, that to describe the majesty of Icon Gallery's debut LP would surely be an exercise in falling flat. Each of these nine tracks seems to have its own life, its own deep subtext, and so much energy the air itself seems electrified when needle hits groove. Driving each are the red-hot, punk rock pistons of the rhythm section, but the guitar leads take cues from Iron Maiden and Sonic Youth, and all this is spearheaded by a woman with the voice of the Avenging Angel. Icon Gallery is everything you've ever loved about rock, minus all the cheeze you've been forced to tolerate. Even the most calloused crusty has an inner place for music like this, so put aside your pretenses, and take the plunge...

Icon Gallery LP

gallery.icon[at]gmail.com

dearskull[at]gmail.com

Kevin and band were kind enough to allow us to download the album, but I strongly recommend contacting them or Dear Skull Records at the above addresses and buying a copy. The LP looks and sounds too amazing to pass up. In fact, I may remove the link after a while to encourage such a transaction. Their equally amazing demo and 7" are available through the above addresses as well.

A Dark Night of Shameless Abuse

Complications was a pariah mongrel of death rock and punk unleashed by members of Born Dead Icons, The Black Hand, etc. For me, this seemingly rare 7" evokes a heart-pumping pursuit of mysterious ends through a twilit dreamscape, all the while skirting along the edge of a nightmare but never quite lapsing into it. It's no doubt an exhilarating experience which can be enjoyed in a more fruitful and layered form on their LP, and which I hope you'll pick up from a distributor of your choice. Once the LP becomes harder to find, I'll just have to post that too.

Complications 7" (Feral Ward Records)

Starving with our Stomachs Full

Another commenter has prompted me to dust off yet another post from '08 which I've been wanting to polish up for a while anyway. Asebia would make a great bookend to another slab of cold Northern gloom posted recently, and I daresay these Copenhageners stabbed even deeper into humanity's diseased viscera. They then proceed to mop up the filth left by this ailing beast with its own entrails. The attack is swift like all great scandi-thrash, but the evil metallic flourishes and abundant tempo changes really lend Asebia a singular signature I've come to admire in them and similarly gifted bands like Konfrontation and Acursed. Below their LP has been re-ripped at 320 kbps, and I've included the minimal graphics of the layout. Apparently there was a cassette version of these 10 excellent tracks, but its production is a bit mysterious and its distribution a bit shoddy.

Asebia "Face of Civilization" LP (Plague Bearer Records)

Entropy Time Motherfucker

I thought I could get this up sooner, Roman; sorry for the wait. This is a re-post of the venom spewing classic, Suppression/Cripple Bastards split LP posted way back in '08. I first came to know the biomechanoid hate-generator known as Suppression from their split with Despise You circa 1996, and have since then continued to admire their caustic ejaculations with few interruptions. If Man is the Bastard and Crossed Out deliberately crashed their tour vans into a Guitar Center's amplifier department, these 13 tracks would be the ostensible result if it happened to be in Virginia. The sludge, the speed, the noise-- it's all there, in horrific abundance.

There's little that needs to be said about Italy's grindlords Cripple Bastards other than maybe some comments I've heard about some unenlightened things said by the singer (no details; not in the mood). Other than that, the 23 songs on their side are pretty raw renditions of tracks that would appear on the "Your Lies in Check" LP.

Suppression/Cripple Bastards split LP (Bovine Records... ripped at 320 kbps)

Skull Crushing 101

My love affair with The Conversions persists long after their demise, leading me to pursue a copy of their split 7" with iron tenacity. So here it is: three of their best tracks on this very rare platter, recorded with the same rawness as their 7". The sound The Conversions explored was not unlike the blueprint of eighties punk being reworked by ambitious engineering students armed with protractors and slide rulers and hopped up on coffee and Pixie Sticks- smart and angular, while still retaining a hefty impact at the gut level. This band will be sorely missed, and I hope you'll go find a copy of each of their 12"s, and maybe download the 7" and comp. track I posted long ago. As for Witches With Dicks, they have a tough act they're following, but I still enjoy the Lookout! Records throwback sound, huge Crimpshrine fan that I am. More contemporay analogues may include The Sainte Catherines and The Monikers. Catchiness, energy, a sense of humor... good stuff, just don't get me started on their band name.

The Conversions/Witches With Dicks Split 7" (It's Not A Phase, Dad Records, 2005)

The Redeadening

Same-Sex Dictator continue to document the escalation of the long-going interplanetary war the rest of us have been blind to as our attentions are affixed on expensive little bleeping toys and glowing screens. "From Beneath You It Devours" is the band's insanely brilliant first (hopefully not last) full length, which to untrained ears may sound not unlike both Yeti records mixed together at different intervals and at incorrect speeds. Further examination will find that these very original compositions are the score of a bipolar inner space opera, interpreting the role of a heretofore undiscovered, subterranean guerrilla force and their role in said conflict. Taken at face value or analyzed for subliminal content, these eight tracks are consistently and simultaneously engrossing, crushing, and ultimately not quite like anything else out there. I recommend this LP to anyone whose dendrites have remained reasonably intact even after all the deadening exposure to the aforementioned distraction instruments. Below I have provided the entire record for download, but I don't expect it to remain there long; there are forces out there beyond my control. Plus, I really want you to buy a copy (see links below).

Full link has been removed, but chew on these killer tracks and go buy a copy if you like 'em

Same-Sex Dictator (2 sample tracks)

Buy:

Robotic Empire

End Theory

Rumor has it, there will be a cassette release with a download code coming soon.

For a more accurate review of the band, see here.

They'll Put the Kibosh on You

I've been too stressed and busy to post much lately, so for a while I'll stick to mostly 7"s . In between these you find some reviews of bands I've come to know and love since starting this blog who have just released some incredible new records; some of these downloads will be limited time only, so check in now and then. Today's featured band is from the good ol' nineties and is ideal for the stressed and pressed for time. Devola have a lot to say, but mince few words. They have a lot of songs, but waste little of your digital space. The CD and 7" linked below will run through you like a bad 25 minute bout with dysentery, and leave you nice and cleansed, if not a little exhausted. The 625 label on the 7" should give you a further idea of the speeds we're dealing with, but there's evidence that this band doesn't take itself quite as seriously as others in the PV crew (note the Cookie Monster-with-groin-injury vocals). The CD finds the band exploring more modern hardcore territory, but rest assured that there are still blast-beats aplenty, and that this development only made the band rock harder.
Devola "Playing the Game of Revenge and Winning Every Time" CD and "The Resuscitation" 7"

I hope to one day have the Devola/Murdock split to post, butI'm not there yet.

Bizarre and Fantasy

Acute is a contender for my favorite Japanese woman-fronted band since The Comes. Chairmaker sent me rips of this gorgeous 7" a while back, and I knew at once I would have to get a hardcopy. The band has somewhat "loungy" tendencies; I'm basing this mainly on the incredible layout, the flat notes on the more melodic vocals, and the otherwise out of place "outro." Be that as it may, 90% of this thing is runaway bullet train, blood sweat and mucus hardcore played fast and tight. If anyone knows where to get more material by this band, please comment before my ears bleed from looping these four songs.

Acute 7"

The Beast That Despair Feeds

Jobbykrust is the choral chant of thousands of smelly angry people, fed up with always being smelly and angry. Really they're a potent amalgam of all that was great about the hardcore coming out of Scotland and Ireland in the nineties: the unrelenting mucous flow of Pink Turds in Space, the common sense politics of Disaffect and Sedition, the fugitive taxonomy of Scatha, the tasteful, delicate flourishes of The Dagda. This band was simply incredible, and you might be able to get their entire discography here. But tonight I'm posting rips of their scorching split LP with Viktors Hofnarren (Switzerland?), a bunch of filthy, surly polyglots who rock a pretty straight forward form of political hardcore with the crusty edges still intact. Perhaps not as straight forward as Paragraf 119, but similar in their crudity and stool-loosening energy. For sure, a band to be blasted loudly, not dissected verbally.

Jobbykrust/Viktors Hofnarren Split LP

De Este Lado del Mundo

Around 2004 my waning interest in hardcore hit a point of resurgence with help from a newly resurrected Profane Existence, who were releasing some pretty great stuff. Their distro then introduced me to another a burgeoning label that still can do no wrong: Alerta Antifascista! I picked up a grip of invigorating vinyl products, but one in particular was like a sparkling Roman candle wedged in the butt crack of my musical conscience: Migra Violenta's "Superficial" 10". It may not be the only reason I have yet to lose interest again, but it certainly snapped me out of the malaise. Migra Violenta consisted of hardcore kids from various South American countries who had immigrated to Argentina. Although they were compared to Los Crudos, I suspect that was mainly due to a lot of American reviewers' lack of exposure to Spanish speaking bands. Crudos was never this fast or tight (although I still love them to death... SOTW coming soon on them...). "Superficial" is packed close with manic, antsy blasts of defiant hope in the face of the impossible and immovable. Speed, anger, and even good musicianship are nothing new I guess, but these guys did their own take on it, and not only did it come out superbly, it's also endlessly listenable. The band has a ton of other releases, including an LP on Profane Existence, and on the 10" below they added two tracks from their Kontraataque split.

"Superficial" 10" by Migra Violenta (Alerta Antifascista/Le Nains Aussi)

Dead Songs to Hum to

Bear with me dear readers, for I know your prejudices concerning "screamy" hardcore. I have my own, after all, mainly based on the pretentiousness of many of these bands. Today, you'll just have to trust me, or move on. This post shines the spotlight on a short-lived band whose frigid guitar sound and stifling rhythm section smashed my own prejudices, not unlike the violent collaboration of liquid nitrogen and a rusty sledge hammer. Armed with talent, a quirky sense of sound manipulation, and a deep acceptance of human despair, Welcome The Plague Year bowled me over in 2004, and continue to do so to this day. If you have a stomach for bands like One-Eyed God Prophecy, Raein, early Envy, Gasp, Joshua Fit For Battle, Shikari, or the band's split mates, Funeral Diner, then definitely look into WTPY. I'm also including the bands split 7" and one-sided 7". There's one track missing that is on their CD, but you'll just have to seek that out elsewhere or shell out serious cash on ebay...










Welcome The Plague Year LP (vinyl rips... 320)

Welcome The Plague Year 1-sided 7" & Split with Funeral Diner (also 320 rips)

The Creators of Dismay

Two tracks today: one on distinguishing our past from our present, the other on our present attempts at affecting our future. Both are about futility. And so Arctic Flowers and Spectres do the only thing there is to do when tethered to an atrocious past, in a morally desolate landscape: make great music.

Arctic Flowers/Spectres Split 7"

This out of print split was a great excuse to post about one of my new favorite bands (AFs) and it also gave me a chance to really listen to Spectres who have finally sunken in and won me over (they have several releases you might be interested in). Arctic Flowers are touted often as "Stan from Signal Lost's new band" and they are that and so much more. They're the celebration of all things dark and beautiful, and the annihilation of the illusory and false. I hope this band is as resilient as their namesake, because their next releases will/would be amazing. Be sure to grab their 7" here or from the band on their California tour dates.

Cleansed by Flame

Here's Unruh's two part prescription for the most brutal form of Euthanasia: the first to knock you out, the second to end it all. This is the most extraordinary of renditions Arizona-style that's caught in the Rorschach dilemma of being either metallic hardcore or hardcore influenced metal depending on what angle you view it from. After all these years, Unruh's Hell is still hotter than Satan's crotch, like a chunk of coal emerging as a shining jewel after smoldering in His loins for 13 or so years. For the take today is Unruh's debut LP "Misery Strenghtened Faith" and...
their follow-up/swan-song "Setting Fire to Sinking Ships." While both are nearly equal in their raw brutality, I would venture to say that "SFTSS" surpasses its predecessor in production and technical precision, as well as in the impact and originality of the lyrics. As to which I enjoy more, I lean toward the first, but really you just can't go wrong with either one. Both have been ripped from the vinyls at 320 kbps as per request from Mike, but you may want to check Pessimiser Records (if you can find them) or ebay to find the CD version of "SFTSS".

"Misery Strengthened Faith" by Unruh
"Setting Fire to Sinking Ships" by Unruh

The Season For Unreason

Let's get the disclaimer out of the way: Godless might shock or disappoint upon first impression, much like finding out that Santa doesn't exist, or that Jesus was a mere cult leader, or Christmas may simply be the Roman winter solstice, or that Jell-O contains animal bones. After a while, though, the knowledge is liberating. So here it is: Godless is not crust, regardless of the initial evidence to the contrary: they were from Portland circa 1992, their LP "Who's In Control?" was released on Tribal War Records, and well, just look at their band name and that cover art. What you need to know is that Godless played melodic political hardcore, not at all disappointing for fans of The Assassinators and La Fraction. As with all bands of this ilk, the vocalist holds much of the burden on her shoulders, and Leslie does a smash-up job here, from the soulful, deep-from-the-diaphragm croons, to more staccato, squeaky, snotty dressings-down (and all the while playing bass too!). I'd much rather be listening to this on Christmas morning (which I am) than any of that foul music associated with this season, so mix up a flask of hard-nog, print out the lyric sheet, light some candles, and show your neighbors how the punks do it...

Godless "Who's In Control" LP

Dežuje

Don't you just hate it when you crave some all-girl Slovenian punk from the eighties, but nothing in your collection quite fits that description? Fortunately a savvy bootleg operation has answered our "prayers." The Tožibabe 7" has probably been posted on several of the Eastern Euro blogs, but I guess I'm just excited to have a copy of my own, and the chilly, wintry feel of the guitar sound seemed right for today. Plus, it's just a great piece of former Yugo awesomeness!

After finishing semester grades, digging rain trenches, and just dragging major ass on this whole blog thing, I finally have some time and motivation for posting. I've got a ton of records ready to go, but also let me know if you have any requests or need me to re-up something.

Tožibabe 7"

Spiritually Cemented Dystopia

It was in the mid aughts when I was sure the Swedes were going to take over again-- Acursed, Kontrovers, Skitsystem, Martyrdod-- a small but terrifying enclave, harbingers of a new generation of bleak, razor-sharp Scandi-thrash. The blunt implements of their ancestors were traded in for scalpels edged for surgical precision, only to be applied with a nihilist's abandon. And then... I'm not sure what happened. Momentum petered out, or was diluted into more "progressive" forms of metal that were arguably more boring. Enter Konfrontation, who arrived on the "scene" like a star player 30 seconds late for its train. The unsuspecting station patrons would delight in what they witnessed, and this post is a weak attempt at deflecting the glint of the band's highly polished steel to a few more onlookers. What you'll hear on the band's LP is not unlike the gloomy excellence you've heard from the above bands, although the slightly more daring structures make for a much more memorable ride than most forays into this already intense subgenre. I've been keeping an eye on this one for a while, and although a ton of different labels released it, it is finally out of print, and as far as I'm concerned, public domain...

"Nedbrytningsprocessen" LP by Konfrontation

Loud Silence At Home

If anyone has the cure for Busy, please send it my way! There's no shortage of great music here at the headquarters, but the postings just haven't been happening for various reasons. I'll see what I can do to catch up this weekend, but for now here's a heaping gravy ladle of French 90's hardcore. I've noticed that a lot of my posts and would-be posts are of newer records, simply because there are a ton of great releases of late. But I can't forget the decade that this blog specializes in, and so I present the few releases I own by Undone. While I can't guarantee you'll love Undone as I do, they did offer an enticingly puzzling admixture of hardcore styles; if music doesn't cut it for you unless it boasts copious moshy metal riffs, emotive dissonance, or speed, Undone have got you covered on all accounts (especially the first two). It won't take long to figure out that Undone grew thorny and strong out of the same cracked concrete slab as Finger Print, Ivich, Vanilla, etc, and for that they should already warrant a serious listen. For today, I'm offering the band's later 7" "The Other Side," as well as an early 7" that I will simply call "Undone." Both rage, but on this early outing I like the vocals better, and the metal is cranked way the hell up.

Since you hate comps, I'm sneaking in yet another rose among weeds, the "World Hardcore" 2X7". Perhaps it should really be called "European Hardcore", but whatever. A comp is a winner if more than half the tracks are at least good, if not great, and this one huffs and puffs across the finish line. I was mainly interested in the Vanilla and Undone tracks, but Olotila rock and it was nice to hear an early-ish Deadbeat track (post of their 10" coming soon).

Get the two 7"s and Comp here

More Undone posts as I find more of their releases.

** Addendum- Mike of mighty Twisted Tracks posted the 12" and the "Reconstruction" comp!

Japanese Title

The Kaibousitsu LP is an impenetrable black box. Do not attempt to figure out its inner workings; just listen joyfully to Crow (of the bands Crow and Death Comes Along) wail and croon psychotically over energetically played, darkish punk/hardcore rhythms. The other aspects of the enigma that we do know: The band's name was also a song by The Stalin and has been translated variously as dissection room or autopsy suite, the LP was released on the mighty H:G Fact label (their website is screwy as of late), and it was sold in the US for a pricey sum and appears to be sold out everywhere. I was all set to rip this thing, but my klutz-ass dropped it, taking a decent sized chunk off the outer edge. I ripped it anyway and replaced the truncated tracks with ones I downloaded from a nice soulseeker. Apologies in advance for that inconsistency of quality and for the lack of song titles.

Kaiboushitsu LP

Check out this post on the band's 7"

How to Lay Down

I'm sure you'd much rather have a full-length for your free download, but let's not forget the punkest format ever. Not to mention, a nice split 7" will introduce you to two bands, add focus to your musical life, and make you less lazy. While I can't guarantee that last bit, I can almost guarantee you'll dig at least one of these bands: Acts Of Sedition and/or Surrender. I fear these bands haven't gotten the attention they deserve outside of the Bay Area, and I was floored when I heard these two very different bands making equally powerful and meaningful music on one little disk. AOS was an instant hit for someone like me who was raised on Christ on Parade and Econochrist. Only one track is offered, but in no way is that unsatisfying. Recognizable as their hardcore is, their song writing somehow breathes something invigoratingly new to the field. The same can be said for Surrender, a self-proclaimed peace punk band. Added to the tropes inherent in that label is a bit of that post-whatever of bands like Spitboy and Witchknot. The politics is in your face; the drums are upbeat, while the guitars are spacious and unpredictably frisky at times. The end result leaves a similar impression as the whole record: fury and wildness held in mean check by an equal amount of intelligence.

Acts Of Sedition/Surrender split 7"

Find out about other AOS released and future collections here.

Find out about other Surrender releases and download them all here.

Song of the Week: "Images" (Complications)

I'm bringing back an old institution after a couple of weeks without any inspiration. This time my drooping antennae were compelled northward by the signal of an LP aged three years in the pipeline. Most descriptions of Montreal's Complications will start with the members' prior involvement in Born Dead Icons. An irresistible attention-grabber, no doubt, but inadequate for descriptive purposes. You might also see the Killing Joke reference, and here we start to unravel the secret. Whether you settle on post-punk, post-hardcore, dark punk, etc, Complications will likely mesmerize many listeners at first with the complex layering of their dark guitaristry, such as the amazing second riff in today's selection, "Images." Such shadowy music deserves a fitting vocalist, and here I think the band succeeds again. At the risk of completely missing the mark, I offer this: the creeky basement despair of Rozz, the rasp of Piciotto, the gravely hum of Stubbs. Despite the persistent gloom, there's odd warmth to the band's sound that isn't common among its tribe; this is due in part to the drums which in calmer instants lull and rock, but in fits of violence pulse and pump-- the former like a warm oatmeal stout by the fire on a moonless night; the latter a frantic chase through a tunnel whose end is a mere pin-point aperture. I thought I could kick the habit I had formed from listening to Zygote and Bad Influence, but it seems with bands like Complications and Cross Stitched Eyes around, there may be no end to it. "Images" from the self-titled LP by Complications (Feral Ward Records)

For One More Smoke Off The Devil's Cigar

If crusty hardcore has become a broken record, I can be perfectly happy as long as it's stuck in a groove carved by bands like Detonate. There really is nothing new on their 12": fast and assertive drums, dirty hardcore riffs that point to crusty predecessors (... Behind Enemy Lines, maybe, or possibly... Consume), ultra-rousing throat action (I'm thinking Amy from Nausea meets Eva from Makiladores), and dove-motif cover art. Yep, this is a wheel reinvented, yet I can't and won't stop playing it. Tracks like this are why I got into this "genre" in the first place; so I say, recycle, reinvent, play on, because this kicks ass, and if that's not important anymore, then I'm completely out of touch and happy that way.

I assumed this twelver would still be around- it being a recent release; but I'm not seeing it in many distros (Puke'n Vomit has a copy). As always, if it is widely available, I'll remove the link (just send an e-mail). Check with Detonate or Distort Reality Records and see if they have any copies left and pick up some other Detonate merch while you're at it.

Detonate 12"

Killed By Fast

As usual, my posting is dictated by tangents: the fast Japanese hardcore of the last post led me to cranking a bunch of Shikabane. Then I saw a giant hole in the postings where their first 7" should be (their last one is pretty easy to find, I think... maybe this one too but I felt the impulse to see it here...). The "人間に生まるること難し・・・" 7" is a complete feast of frenzied hardcore encapsulated into a tight 10 track 7". The band would later change to a more moody, introspective hardcore band, but here the songs range from fast to really fast, and skip the mind and heart completely. The viscera is the target, and it's a hit ten times over.

The bonus comp this weekend does indeed feature Shikabane, as well as 13 other Far East ensembles of the short, fast, and noisy set. Like a good drinking binge, "Thrash Ahoy !" is lots of fun, but the headache afterward is something else! The bands/tracks:

Both Records HERE

Update: the Pisspoor splits have been re-upped here, and a few other Shikabane records can be found here. Also, Japanese track titles have been added to the Knucklehead post, and a nice commenter offered some phonetic and English translations in the comments. Thanks again!