Leave Nothing Die !!!

I finally got my hooks on one of these! Since finding out about this great split between Sink and Hellnation (Sound Pollution, 1997), I have made it a little side mission to find one for cheap. So here it is. I believe this is the only other release Sink did other than their great 7". These four Japanese ladies have been brutalizing me for about eleven years, always finding some way back onto my turntable. This time they crush and grind us with three more raw, dark crust stampedes. Vocally, the band is more varied, throwing in some painful screams and yelps rather than the crusty barking prevalent on their other outing. No disappointments here! All three tracks kill-- especially "Life."

What needs to be said about Hellnation? If you're into grind or any fast hardcore, you probably have a ton of stuff by these Kentuckians. The split 7" format is the best way to enjoy this extremity of noise, primarily because the piercing vocals can be overbearing in too large a quantity. The band offers no fillers here. Nothing but the best Hellnationization! (they even flatter their split-mates with a cover of "Leave Nothing Die").

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Hellnation/CFDL Split 7"

Sound Pollution Records has always been a reliable source for international fast-as-hell music. Around the time it teamed up with MCR Company, it was an especially good resource for Americans hungry for Japanese noise that fell on that side of the musical extremity spectrum. The split presented here is a great example of the label bringing two bands from opposite sides of the Pacific together. Hellnation should be legendary, but unfortunately are only mentioned cursorily in discussions of powerviolence and "underground" grindcore. Founded in 1988 by two Kentuckians (including Ken Sound Pollution), the band would go on for years producing an impressive body of grindcore, spear-headed by high-pitched, screamed vocals. The production was often fairly clean, but the band managed to appeal more to the hardcore crowd than the metal. Besides their choice of chords and song structures, part of this allure was in the straight-forward social/political lyrics that never shied away from calling out idiotic behavior within the "scene." On their side of the split, they take on, among others, sloganeering crusties, as well as the whole PC nonsense so annoyingly pervasive in the '90's. These dudes didn't care who they pissed off! Hellnation gives us five songs on this one, and although that's a lot for split, I am left wanting even more! CFDL (Chaotic Formidable Destructive League) take the wheel for Japan and, although not as ear-shattering, do the job equally well. There's a little more of an old school punk feel thrown in with the fastcore, and the vocals are a little easier on the ear as well. Only two of the four CFDL tracks have lyrics provided, and after reading them I truly believe that most bands should just write their lyrics in their native language. Anyway, the band's recordings are energetic and noisy- which is what I always look for in Japanese fastcore. At the time of this release (1996), the band had already broken up, but they reformed recently. Check this little record out!

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