Half Japanese

I have neither sad story nor heroic epic to account for the lack of posts.  I've just been finding other things to do with my time.  To make up for said "lost" time, I offer a resurrected idea, the "grab bag o' splits."  Four splits had to be chosen from my teeming bins; the international theme was not enough to quell the chaos.  Japan would have to come to the rescue!  Each EP in the bag has one Japanese band featured-- beyond that, quality counts, style doesn't; obscurity is a plus.

This first split sees Norway's Angst wrestling with Idora for the last scrap of whale meat.  Figuratively speaking, I hope.  Both bands represent their respective countries as well as the time period (early '90's) smashingly-- Angst discharging an arctic blast of thrashed-out Norse-core with modern flourish, and Idora doing what their country has mastered for ages, but with an exceptionally scathing guitar sound.

If a bit of South American brutal primitivism is your thing, Venezuela's @patia No deliver it, Machetes in hand.  Their three tracks also appear on the collection LP they put out on Alerta Antifascista/Skuld, but here they are, in their original place of nativity, next to Japan's Jabara.  These guys are probably best known on this coast for the 12" they put out on Prank, and these two Death Side-esque rippers ended up on that one too.

It's Germany and Japan, reunited once again, this time not for world domination, but for intricately wrought ass-brutalization.  Deutschland's Atka provide the fractal grindcore geometry combined with repetitive autistic mind-melting guitar loops, while Swarrrm are up to their usual tricks, escaping the psych-ward long enough to smear their rambling manifesto in feces all over the infrastructure of our decaying civilization.  Ecocentric Records was having a hard time keeping their online store online, and I had a problem downloading my digital version, so my own rips are provided, and I hope you'll contact the label to get a real copy if you can.

  The last goody in the bag is a double creature feature of dirty, metallic sludge.  Hellchild's chugga-chunkiness has graced many a split, and here they are again, busting out Wesley Pipes with Tennessee's very own cannabis crematorium, Bongzilla.  H:G Fact never lets us down, even when the bands are not the label's usual fare.


Get all four splits in this bag.

Recently Re-upped: Mine "Tetanus" LP + Dawnbreed Split 7"

Coming Up: the fulfillment of a request!

Succeeding Where Celtic Frost Failed

Fast-forwarding 16 years from the last post, this split series continues with an outstanding pair-up from last year.  Side A is (I believe) the second outing from San Diego bros, Death Crisis.  From their name, you probably guessed one band members were in previously.  DC are hardcore for the fan of bullshit-free bands like Out Cold, but whose ADHD is lighter on the "AD" and heavy on the "H."  Tried, true, but still relevant themes of media brainwashing and apathy are strongly represented, as well as a new one: douches who bring their dogs to hardcore shows.  While I've never experienced this first hand, I can understand their irritation (but for the record: my dogs do/did like hardcore... still wouldn't bring them to shows though).  Death Crisis also have out a 7", and another split 7" with 80's San Diego D-beaters, Diatribe; a burgeoning website can be found here.

Side B brings perennial FE favorites, Same-Sex Dictator, in what might be their most primal form.  These two tracks were written and performed straight from the brain stem, and given the option of fight or flight, I'm thinking SS-D choose the former every time.  In describing the band's inimitable and incredible LP, Justin (drums) felt that his band was more caveman than the proggy descriptors I used.  If you've heard the "Descend to Syncope" tape then you know what he means, and on this outing the band has gone positively neolithic!  It's also possibly their most blackened offering, considering the faster speeds, atmosphere, and less-than-sparkling production values.  This time the lyrics take a blunt ivory implement to the skull of themes like system moochers ("I'm Not Paying for Your Failure") and the Orwellian/Kafka-esque world we drones inhabit ("Removed By Paperclips").  The split is still available in two formats, so I'm supplying my crappy vinyl rips for a limited time.  Yes, music is digitized, but real people are putting in real time and resources to make this all happen.  Please support them.

Buy the vinyl here
Death Crisis digital tracks here
SS-D digital tracks here (awesome Eyehategod and Joy Division bonus cover tracks available!)

Vinyl rips here.

Punk Rock Died at 8th and Gilman

Dark, dark days lie behind me, but the light is coming back up ahead.  This time it will bring a slew of splits, and things will once again be noisy around here.  We start with a band mean enough to steal your Christmas, but it's more likely they'll just lace your candy canes with something extra special.  Grinch was some grungy, stonery, post-hardcore rock whose line-up consisted of members of Christ on Parade, Machinehead, Crimpshrine, etc., and whose touring crew at various times consisted of Aesop (Ludicra, Fuckboyz, Agalloch), Tim Crow (Zygote, Smartpils, etc.) and Spider (Amebix).  It's tough to nail their sound, and to keep the mystery mysterious, they don't sound like any of the bands above.  They produced two full lengths prior to this split LP, "Eden" and "The Blacking Factory."

Lost Goat continue the trip, but with more noise and effects to thicken the ethery haze left by Grinch.  LG can't be accused of following formulas from track to track, as each one has its singular way about it, while still showing off the band's gift for rocked-out, yet off-kilter riffs, leathery vocals, and that well-documented creepiness hinted at by the cover  "art."  Lost Goat might be an acquired taste for some of you, but if you awaken in the night with strange dreams and cravings, the band has three full lengths, a 7" on Alternative Tentacles, and a split 7," which I may have to post soon.

Grinch/Lost Goat Split LP (Probe and Misanthropic Records, 1998)

Recent Re-Up- Saturation 12"

Your Cheatin' Heart Will Tell on You

The sonic offenses that comprise Hanging Rotten's discography make an ideal score to the bipolar summer we've been having at this latitude.  The fruitful indecision that makes "Your Cheatin' Heart" both an unsung grind and sludge classic, seems to also lead us through disparate narratives of this summer's battles with nature: hurricanes and flash floods on side A; endless, lethargic days of oppressive heat on side B.  As mentioned before, HR was formed from members of Seven Foot Spleen, and the guitar sound proves it (although this time around they have production that makes your head feel like it's caving in).  To get the full experience, I'm including two other releases from the band: a CD they put out in Malaysia, and a split 7" with German grinders, Verge On Reason.  There are overlaps between all three, but I figured I should put it all out there anyway.

** Note: The last few posts have been re-upped at zippyshare.  If you want old rips re-upped, just let me know.  A few people have already gotten in touch about that... see below.

Hanging Rotten Releases.

Recent re-up requests:
Zorn
H-100s

  Saké

Boredom and Disease

One of my top genres for summertime listening is good ol' dirty sludge.  Maybe it's the way it syncs with the pace of life; maybe it's my increased alcohol consumption.  In any case, NC's Seven Foot Spleen seemed right to post, but then again, I think anytime is a good time for them.  While the guitar tuneage and much of the pacing reeks of sludge, SFS are not locked into one mode, and like some of the best moments from Eyehategod and Mange, they often floor it to hardcore speeds.  Whether born from indecisiveness or a love for fusion and variety, the four tracks on the  "Boredom and Disease" 7" take the boredom right out of the title.  This genre and tempo crossover would continue in some members' next band, Hanging Rotten, which will be the subject of a future post.  Crusties, grinders, and hardcore kids alike should dig these guys, and for extra poops, I'm throwing in the band's split with Aussie hardcore madmen, Gacy's Place.

Download Seven Foot Spleen "Boredom and Disease" 7" (Fuck Inane Records, 1996) & the Seven Foot Spleen/Gacy's Place Split 7" (Spiral Objective Records, 1997)

Hardliners is Hippies

Yet another badass compilation, the Homeless Benefit comp EP is an amazing and aggro glimpse at the end of the nineties-- excellent intentions and voraciously violent music. Read the band list below to understand why I had to post this even though The Pope did the honors years ago, then go to his blog while you listen and read his dressing-down of Jeanxseberg's naive lyrics.

Homeless Benefit EP

Starving The Starving

So maybe we won't be leaving Canada alone just yet. I got bitten by the summer bug since the last post and thus the delay; but in the meantime I secured a cheap copy of the Wisigoth/Jobbykrust split LP which I'm happy to share with you today. Wisigoth continue with their raw and ugly doom/crust/metal, and Jobbykrust compile some early demo material for 12 tracks of charged-up political hardcore done right. Both bands are so distinct, yet the pairing seems just perfect and both match each other in intensity and sincerity, making the 47 minutes of music seem all too short. Get more Jobbykrust music and info here, here, and here, and get the Wisigoth 7" here.

Wisigoth/Jobbykrust split LP (Funai Records)

Hybride

I'll go ahead and leave Canada alone for while, but not without first dropping a double regiment of Hybride. I can't find much information about these guys, but on the 10" depicted above, prepare yourself for a seriously fucked up guitar sound and some noise rock/sludge/hardcore that leaves me with the same sickened satisfaction as the Gasp demo or the Insuiciety 10". There's a looseness of structure and direction that the band would shed a bit on their...
...7" a year or two later. On this, their final (?), outing the band stripped their sound down almost to the bones and opted for a mean, almost unencumbered sludge-metal approach. They also kept only Mélanie on vocals, and in isolation she reminds me a lot of the Daymare singer (maybe it's just because her screams are high-pitched and in French). I can't pick a favorite between the two records as it really depends if you're in the mood for some psychedelic chaos or more measured heaviosity. Both are in the folder below.

Hybride 10" & 7" (Spineless and Bad Card Records respectively)

In the Wake of an Ethereal Nightmare

In collaboration with 15 Counts of Arson, Ire week comes to an early terminus. Head over there to download Ire's first LP and scroll down a little for the second and some early tracks. I predict some disagreement as to which of the band's releases showcases their best material; since I have the floor, I'll say that "What Seed, What Root?" is my favorite. It really is a matter of taste, but on "WSWR?" I love the way the band exchanged some of the emotive sentimentality and cold mathematics of their previous two phases for warmer, riff-centered song-writing, along with some crushingly repetitive, hypnotic sequences. The song lengths are a bit shorter than their first LP, but the entire project retains an expansive feel as each song flows into the next with a narrative fluidity. To allocate Ire to a genre at the end of their career is not easy, but they might have found a comfortable spot near Token Tantrum or Lost, yet I can see logically how some of the members would be involved in The Black Hand demo as their next project. For full enjoyment, play it loud, and play it when you're not too antsy or distracted.

"What Seed, What Root?" by Ire (Scorched Earth Policy Records, 1999)

Appreciating Darkness

Our exploration of Canada's contribution to nineties hardcore and metal continues with a fairly unique split LP between Seized and Ire. For most of its life on my turn table, I had only listened to the Seized side-- their sound being unlike anything else I was listening to at the time, yet the tracks were powerful and engaging. Perhaps I was seduced by each track's serene opening, each following an idyllic trail that slowly darkens into a forest of mysterious and sinister goings-on. To say that the tracks are bass-driven is a redundancy after we see in the notes that there are three bass players and no guitarist in the lineup. Seized also employed a violinist who knows her limitations and adds great ambiance, and a vocalist who might have listened to some Cathedral records at some point. If all of this sounds strange, it's because it is; but not in a bad way. Seized is a case where oddness enhances greatness. These would be the last tracks the band would record (and the best), but they also left behind two split 7"s and I believe a 7".
My avoidance of Ire would end with time and the inevitable opening-up of my musical tastes. I still have reservations over the "PC" spoken word portion at the end of "She," (not over its validity, but over its necessity/delivery) but now I just dismiss it as a product of the zeitgeist. At this point, the backbone of Ire's metal was ossified of the same stuff as Rorschach, but tending in the more "sentimental" direction (read: "EMOtive") of bands like Groundwork or Grievance. As the band worked out its ideas, it's easy to see that these guys were endowed with considerable skill and conviction which would continue...

... on their follow-up 7" also posted below. These three tracks see the band giving into their aggressive tendencies and abandoning some of the dissonant flourishes present in past tracks. As is perhaps predictable with musicians like these, the band would experiment a little more with their style on their ensuing two LPs, which I hope to post later this week.

Seized/Ire Split LP (Spineless/Fetus Records)

Ire 7" (Schema Records)

The Slaughter of Immortals

I was looking for more Wisigoth material in order to compliment this excellent 7" and offer a more extensive post. Unfortunately, this didn't happen before the urge to post it took over. Wisigoth was a Canadian band that sliced and trampled its way into the secret society of bands ruled over by Dystopia-- bands with a definite metal base, but with leanings toward crust, a DIY hardcore ethic, and tempos that earn them sludge honors. If you're into other French-Canadien metal/crust/grind/sludge, you either already dig these guys or will have no problem doing so. Since I'm on this whole kick of doing series, look out for more Canadian stuff this week.

Wisigoth- "Une Hécatombe Pour Les Immortels..." 7" (Spineless Records, 1997)

Quinientos Años

I've been putting this off for too long. This is a repost of the "In the Spirit of Total Resistance" 2X7"-- one of my all time favorite comps. Seven bands assembled to attack Man's inhumanity and celebrate the 500 years of resistance enacted by indigenous peoples of the west, from Canada to Puerto Rico. The brutality is amply provided by Crudos, Huasipungo, Man is the Bastard and One by One, while Jonestown, Pollution Circus, and Dogfight inject a balancing dosage of eclecticism. In true repost fashion, the tracks have been re-ripped at 320, and photos of the entire layout and 60 page book have been made available.

The Comp

The Book

Unforeseen Disasters

Another exhumed time capsule of the nineties, the "Unforeseen Disasters" comp offers an almost complete sampling of what was going on in that decade. Specifically, this one was planted in the loamy catacombs of The South, even more specifically, Georgia and the Carolinas. Of greatest interest for me is what I believe to be an exclusive track from Damad, which represents one of their earliest vinyl outings (along with the In/Humanity split). The same can be said for Initial State's "Die Silent," but that track also appears on a No Idea comp and on the band's own LP. In/Humanity, Quadiliacha, Blownapart Bastards, and El Toro each bring an eclectic tidbit to the gathering, making this shindig short, but hotter than Georgia asphalt.

"Unforeseen Disasters" (Passive Fist Records, 1994)

Uña de Gato...

Spring cleaning and some recent landscaping endeavors have rekindled a tight bond I once held with compilations. Cuing a few of them up while knocking out some grueling task just seems to work: fade in when the winners come on-- fade out during the duds. And so we arrive at another compilation week, but one that I hope will rejuvenate interest in a format tarnished by saturation and mediocrity. I can try at least. The best way to start is with "Uña de Gato- Cuerno de Vaca," a rare 2X7" of heavy bands Tee Pee Records put out 15 years ago. There are many reasons to start here, one is that a nice commenter requested it, but you may be more interested in reasons like El Dopa, Corrupted, Logical Nonsense, and Cattle Press. Some of the other bands are interesting too, but with a line up like this, they become an after-thought.

"Uña de Gato..."

On a side note, the same commenter who was looking for this was looking for other Cattle Press and IaborHer rarities. Justin at Mustard Relics tracked down a couple.

The Redeadening

Same-Sex Dictator continue to document the escalation of the long-going interplanetary war the rest of us have been blind to as our attentions are affixed on expensive little bleeping toys and glowing screens. "From Beneath You It Devours" is the band's insanely brilliant first (hopefully not last) full length, which to untrained ears may sound not unlike both Yeti records mixed together at different intervals and at incorrect speeds. Further examination will find that these very original compositions are the score of a bipolar inner space opera, interpreting the role of a heretofore undiscovered, subterranean guerrilla force and their role in said conflict. Taken at face value or analyzed for subliminal content, these eight tracks are consistently and simultaneously engrossing, crushing, and ultimately not quite like anything else out there. I recommend this LP to anyone whose dendrites have remained reasonably intact even after all the deadening exposure to the aforementioned distraction instruments. Below I have provided the entire record for download, but I don't expect it to remain there long; there are forces out there beyond my control. Plus, I really want you to buy a copy (see links below).

Full link has been removed, but chew on these killer tracks and go buy a copy if you like 'em

Same-Sex Dictator (2 sample tracks)

Buy:

Robotic Empire

End Theory

Rumor has it, there will be a cassette release with a download code coming soon.

For a more accurate review of the band, see here.

Song of the Week: "Homo Afflictus" (Charred Remains a.k.a. Man Is The Bastard)

Still vying for my favorite Man Is The Bastard track is "Homo Afflictus," for the usual intensity these musicians always brought to their music, as well as for its unpredictability of structure and overall weirdness! I've said it before and will continue to do so: MITB's recorded material pales in comparison to their live sets. When these guys plugged in, the brutality was real, not just an aspect of the genre they played. If you were fortunate enough to see them a couple of times, just close your eyes and crank up the volume; maybe some nifty flashback experience will visit your consciousness. For others, the advice concerning volume is still recommended.

"Homo Afflictus"

I've been putting off a re-post of the excellent comp from which this song was ripped. I'll continue to place it high on my list of priorities.

Song of the Week: "Gusano De Fuego" (Moho)

Well, the SOTW is way late, but that's how it goes on vacation-- the days of the week are thrown out with the alarm clock. Late rather than never, we have one of the vices of all my summers. Along with more melodic stuff, I tend to grab the slow and sludgy records too, complimented with some non-cigarette tobacco product and a little alcohol. Eyehategod and Cavity are defaults for porch-sitting capers, as is the mighty Moho. They fit the MO perfectly-- Low and dirty post-Sabbath riffs? Got 'em. Sickening vocals? In abundance. Oodles of feedback? Check. Bearded Southern guys loaded on meth and whiskey? Ooh, not quite. Moho is some ex-grindcore kids from the capital of Spain, but don't let that prejudice you; they can easily hold their own with the big guns.

"Gusano De Fuego" by Moho from "20 Uñas"

An Earwig's Guide To Traveling

I'll make this quick since most of you have this, and I've got to head to the mountains in about 5 minutes. Gasp was one of the most powerful and unique bands of the nineties and "An Earwig's Guide To Traveling" is the miscellanea that comprises the rest of their discography. I've been planning to post this for a while, and an e-mail from Mr. AD sealed the deal. Yes, the "Sore For Days Demo" is included in the collection. (Scans of the fold-out insert will be here when I get back).

"AEGTT" part I by Gasp (320 kbps... singles, comp tracks, demo)

"AEGTT" part II

Song Of The Week: "Twilight Amaranthine" (Asunder)

The vast majority of doom metal bores me, but every so often a band of this ilk, with slow grace, will "bore" into me in another way-- under the skin and right to the psyche. Asunder did this with their beautiful 1x1/2 LP, "A Clarion Call." They succeed for me because they structure their compositions like intricately wrought narratives and use heaviness as only one facet of what are ultimately fairly complex songs. More importantly, tracks like "Twilight Amaranthine" are just chilling and beautiful to hear, all the way up to the fourteenth minute(!). It's been a while since I've posted a long, slow one, but "TA" should more than make up for lost time.

"Twilight Amaranthine" by Asunder (ripped @320 from vinyl)

We Do The Numbers...

Things are starting to get back to... equilibrium around here; sometime last week, the counter finally made it 100,000 visitors-- and just shy of three fucking years! That's what I get for posting shit nobody else likes, but I wouldn't have it any other way. I also replaced my needle cartridge with a really nice one after breaking the last needle in a beer-buzz klutz-move, so ripping should resume soon. All this is restoring my lagging interest in blogging, as are a couple of e-mails I received recently.

The first was from Eddie (formerly of Tafkata) letting me know about his insanely good new band, Seven Sisters Of Sleep. I asked him the first obvious question you'll have too after hearing "Monastery" and Swamp": when will the first record come out?! Rest assured, the band is working all that out. If you're on this blog, there's already a 90% chance SSS will be the subject of the next shrine you build in your living room, and if utter despair set to music is your idea of a good time, the chances are even greater. The next, less obvious question was: "How's about that Tafkata demo I've heard about"? I'm a shameless moocher-- sorry Eddie. Turns out there were two, and he hooked them up for us. As a Tafkata fan-geek, I feel it's my duty to share everything I can with you, and these heavy and dirty cuts are more than worth repeated listens regardless of, or especially because of, the damage it will do to your head and the walls around you. Thanks a million Eddie!

Tafkata Demos (Some tracks are titled differently than the album versions)





Another generous e-mail was from Kevin from another favorite band, Icon Gallery. Kevin gave the permish to keep the demo tracks up, and even sent a five track version including the song, "Pain" (which is amazing!). He also included a rip of the band's 7" which long ago I prematurely had a lukewarm response to (probably because I was buzzing on the demo still). Giving it another spin led to giving it five more, and now I'm under its spell. This is such a talented and great band, I hope you crusties can put aside your prejudices and rock the fuck out. I'm going to include the 7" in the folder below under the condition that you will buy it or that you promise you don't have a turn table. Support this band and check with them in June to see if their LP is out yet (there's a new-ish track up at their MS page that sounds great!).


Icon Gallery EPs