Showing posts with label Spazz. Show all posts
Showing posts with label Spazz. Show all posts

Saturday, May 14, 2011

Left Back, Let Down

Compilation week was interrupted by life, so we will call this Compilation Series, part II. I've got two or three more in the chamber, but for today we have the classic four-way split between Stapled Shut, Crom, Spazz, and Despise You. The only reason not to post this is that it's probably already all over the download circuit (circus). But that's not good enough for me. The impulse to post this was too strong. So here it is, ripped from the vinyl at 320...

"Left Back-Let Down" 2x7" Comp. (Pessimiser/Theologian Records, 1995?)

Spazz Lyrics:

Wednesday, October 15, 2008

... which is Spanish for "The Guapo"

Apparently, the El Guapo Comp was a real pain in the ass to assemble and release, and well, it was only slightly easier to rip it! Regardless of these ripping complications (read more below), I felt that this comp was such a classic (for me at least) that I simply must post it. Being an early 625 "Productions" release, the conclusion seems foregone that several, if not all the post-Plutocracy bands will be represented (Spazz, No Less...). The line-up in general is...
intimidating! Many of the who's who of mid-nineties "powerviolence" are in attendance, at varying levels of quality. I've spun this thing so many times since its release, a note on the sound quality may be in order.

Disclaimers: First of all, according to Hirax Max, pressing number one had shitty mastering (my copy-- pressing number one). Second, I was not always as near-retentive as I am now regarding my records. This one has been a casualty of neglect and it shows in the fuzz and crackle; not to mention the giant scratch which makes the first three tracks a little hard to listen to, and which led me to delete one between-song audio sample (many apologies). For the most part, though, this is one hell of a noisy comp, and sound quality isn't a huge factor. The final issue is the track tagging. The band SBC supposedly has five tracks, but it wasn't clear how they are divided. I decided just to combine them into one giant track. With regard to No Less's track, I had to guess at the title. And finally, for the track that appears between Pisspoor's and Ansojuan's, I just assumed (perhaps wrongly) that it was an unlisted Pisspoor track and tagged it as such. There's always a glimmer of hope that someone out there is more astute than me at this (comments are more than welcome).

So here it is... around 40 headache-inducers conveniently assembled for your listening joy/agony/hilarity.


Here

Monday, March 31, 2008

"Kamikaze Attacked Amerika/Yankee Bombed Hiroshima, Nagasaki" CD Comp.

Commenter dxb requested more CFDL, but sadly I don't have much. I do, however, have this amazing comp. CD on which they appear. Since I'm on this whole compilation kick, it seemed right to post it. As the title suggests, this CD contains almost 50/50 American and Japanese bands. When Sound Pollution and MCR let this thing out of the pen in 1996, it found a cozy place in my CD player for upwards of 15 or so months straight! I can't express what a great listen this one is, and to entice the skeptics, I'll supply a band list below (note: several bands contribute two tracks) with special annotation when (I feel it's) needed.

Bands (Japan)
Insane Youth - Heavy-handed hardcore- Japan meets NYC
Anti Authorize - D-beat Cookie Monster-Core!
Senseless Apocalypse - noise/grind at its finest... their 2 best tracks!
Disclose - Hey, it's Disclose!
Balzac - Japan's unabashed punk "Misfits"
Addiction - simple and catchy- 80's style
CFDL
Violent Pain - appropriately named
Bleed for Freedom - Rocked-out anthemic punk!

Bands (America)
Ottawa
- Pre-.NEMA Tolkien grind. 3 Tracks from their split LP with Jihad
Final Warning - D-beat boot-stomp featuring the original singer from Nausea!
Suppression
Mankind?
- Dirt influenced peace-punk-hardcore with squealy female vocalist
Spazz
Monster X
- The first and only straight-edge grind band (!?!?)
Quadiliacha - Melodic, political punk/hardcore (Great for those who like Strike Anywhere but are ashamed to admit it)
Masskontroll - Portland's answer to Sweden

Download (192)

Sunday, March 16, 2008

More 7" Comps That Don't Suck Vol.3: "Deadly Encounters"

As you can probably tell, I was really into the whole '90's west coast powerviolence/fastcore situation. Here's another little artifact with a bunch of favorites on it: The "Deadly Encounters Hardcore Compilation" (Agitate/Kill Music Records, 1997?). Half the bands on this one are from somewhere east of here (3 of whom are very well known!), but otherwise you'll notice the usual cast of LA and Bay Area superstars. As with many comps like this one, the cover is photocopied, the sound quality is checkered, and the songs are hit and miss. There were many detrimental skips on this ep, which I had to "repair" manually or with editing software; I hope it's not too noticeable.

Track List:
1. "Blinded" by Psycho
2. "Newest HC Song # 4" by Anal Cunt
3. "Newest HC Song #3" by Anal Cunt
4. "Drinkers of Mung" by Crom
5. "Redenbacher's Orgy of Pain, Fear and Pestilence" by Spazz
6. "Sarin" (Live) by Capitalist Casualties
7. "Boiling Point" (SSD) by Drop Dead
8. "Pressure" (Negative Approach) by Lack of Interest
9. "Viet Vet" by Violently Ill
10. "Better Never Than Late" by Charles Bronson
11. "Who Needs a Kleenex?" by Laceration
12. "Dig Up Your Dead" by Bad Acid Trip

Listen

Saturday, March 8, 2008

More 7" Comps That Don't Suck Vol. I: Reality


Arrgh. 7" Compilations. They're over in a flash, and before you let them sink in, you get too lazy to throw them back on the turntable. Doing this blog has really forced me out of my aversion for this comp. format, and allowed me to dig up and appreciate some of the better ones. I'll be posting more "volumes" of these comps here and there for the next couple of weeks...

Volume I is the "Reality" comp. released around 1994 on Deep Six Records. This would be the first in a series of numbered "Reality" comps that would appear in full length editions for years to come. Number One here is no sloucher, and showcases some of the most brutally violent bands the LA area had to offer at the time (the only exception is the Bay Area's Spazz). It's hard to pick highlights, because all the tracks kick muchisimo ass! For a full track list, click on the back cover photo up top. The Man is the Bastard track appears on the already-posted "Anger & English" comp, but this is a rough, live version that has its own distinct character. You can download this ep right....Here!