Les Voix du Silence

This French series is hereby bookended with this post of odds and ends held loosely together by hardcore innovators, Ivich, and the force that was their music. The first link you see below is for a compilation, and what a monstrosity it is! I won't lie to you; much of "An Insult to Our Freedom" sounds like ass. Between the low volume and the bad demo/live quality of many of the tracks, digital sound files are the way to go on this one (skipping around being so much easier). As with all comps, it is only as worthy as the line-up, and with bands like Disaffect, Unhinged, Disrupt, Agathocles, Battle of Disarm, Active Minds, and a slew of others, you can probably guess why I'm posting it. Ivich contribute a raw and loose rendition of "Si J' Etais Libre," which would later be re-recorded for their split with E-150.
In the other link, you'll find three little gems, not least of which is Ivich's only 7". The always fabulous Fab sent me these tracks a while back, but I decided to rip my copy which I hunted down recently. As an early offering, the band is a bit less melancholic, but the raw emotion that would come to fruition on their LP glimmers noticeably below the surface.
The "Autonomie Volume 1" comp. makes me wish more comps were like it. With only four bands and four tracks, there's no room for turds or boredom. Ivich once again bring us an early version, this time of "Les Voix du Silence" from their 10". Alcatraz is arguably the weakest band, but their meandering and plodding screamo is interesting enough, especially with the random trumpet flurries (something I would expect from Ivich, actually). Headway and Coche Bomba finish it off, the first with a slow take on the Bremen style, and the last with their characteristic Larm-influenced grind attack. A little variety never hurts.
Finally, and for the hell of it, I'm tacking on this Vanilla/El Vidal Sonido split 7". As some of you know, some Ivich personnel formed Vanilla, and if you've heard the Ivich 10" and early Vanilla recordings, the confluence is easy to recognize. "The Ink" is a mid-period track, not fast like the early material-- not as indie rock as the later stuff. It is anguished and atmospheric, so if that's your mood, Vanilla deliver. El Vidal Sonido is a different animal, and a mysterious one. Reading the insert I got the impression that they were a little pretentious, but the goods are delivered in the form of some very well done indie rock instrumentalism, so I forgive the posturing. Atmosphere is the key word again with these guys, the gloomy kind, so maybe they aren't so different from Vanilla after all.

All Ivich Records:
Here and here... "Insult to Our Freedom..." here

"An Insult to Our Freedom" Comp LP

The Ivich 7", "Autonomie Vol. 1" Comp, & the Vanilla split

Ivich Part II

Ivich's one and only LP was a major discovery for me, right after another major discovery-- that of the Ebullition mail order list. Ivich was without a doubt hardcore, but not like I had heard it previously. In the DIY spirit, it proved to me that a band still didn't need a huge recording budget to create innovative and moving noise. It was also my first indication that the nineties experimentation in Europe was a lot heavier and less whiny than its American correlate-- two traits I still adore in these bands. "La Mort Heureuse" is noisy, messy, and unpredictable, but it's equally riveting, passionate and sincere.

You can also hear some of the band's earliest work in the 7" included below (thanks a million to the always awesome Fab!) and on the "Le Garage" comp posted a while back.

Ivich stuff is here

Ivich LP and 7"

I won't be posting the 10" as it is still available from Ebullition.

Ivich Part I

France's Ivich was my first glimpse of "modern" hardcore (specifically their LP which will be the subject of the Part II post); today's post concerns their two split 7"s (and I'm throwing in the "Illiterate" comp track). Whether any given Ivich track is blasting you with fast and fiery emotional HC, chunky mosh metal, or those odd, free-form undistorted pauses, you'll know who's doing it to you, as the band always sounds so very distinct. The two rippers on the E-150 split fit into the first category mostly-- fast and chaotic, and dripping with raw emotion. Their Spanish partners on side B take an even more straight forward, Chicagoan approach (MK-Ultra, Crudos, etc), except for the weird electronic track at the end. The music is tight, fast, and powerful, and ends before it could ever possibly get old.

The Ivich track on the Jasemine split is probably their least interesting one, and therefore this EP is posted for the sake of completism, as well as my mission to spread Jasemine's brilliance as far and wide as I can. I've already waxed hysterical over this post-Finger Print band's ugliness-meets-sublime beauty before, so just take my word for it-- Jasemine is essential listening, even if they only released four songs.

Ivich stuff is here

Ivich splits and a comp track

Phoque Aime All

I was on a whole French '90's hardcore kick, then it was brought to my attention that the "Le Garage" comp link was not working... perfect time for a French double (re)post. Sea Shepherd's vocals remind me a bit of Ivich and Vanilla, but musically we're looking at more straight forward and fast hardcore. In fact, until you see the layout of the booklet, there's not much more to connect these guys to the emotive cadre encircling their particular time and place (other than maybe the dolphin (?) voices between tracks). Rough and fast one moment, a bit groovy the next. Very cool band that probably only released comp tracks in addition to these six (hopefully I'm wrong and some nice commenter can help out). Speaking of comps...


... I posted this "Le Garage" comp what seems like years ago. It was pretty important to me back in the day as it had very early tracks from Finger Print and Ivich, who became favorites and continue to be such. There's also an early version of a Sea Shepherd track that's on the 7", a rager from Abolition, and 2 tracks from Human Alert that leave me a bit ambivalent. If you're a Finger Print fan and haven't heard "Docility," you may be in for a bit of a surprise.

The Sea Shepherd 7"

 "Le Garage 7" (re-ripped @ 320) HERE

"Le Garage" 7" Comp.

To complete the trinity of 7" compilations, I offer "Le Garage." I am not posting this EP because it has the best recordings of the best hardcore bands that ever graced a stage. "Le Garage" is, rather, a piece of history documenting, celebrating, and mourning the beginnings of a "scene" and the demise of the venue which provided its germination. Some of the bands' names would come to epitomize the European hardcore of the '90's, but others fizzled out (or I just never followed their path). I was/am most interested here with Ivich and Finger Print. These two bands, for me at least, were the Pepsi and Coke (pardon the trite corporate comparison) of French hardcore. Both released excellent catalogues of music and undoubtedly influenced the current wave of French screamy hardcore (Amanda Woodward, Sed Non Satiata, etc.). The tracks each band supplied here represent their earliest, rawest incarnations. In fact, the Finger Print track contains no hint of their signature metallic yet emotive style, and the vocals go no where near fever pitch of Nicolas's later black metal-esque screeches. The band was apparently still searching for their sound, which may account for why this song never made it to their discography CD (which you can download here). A couple of the other, lesser known bands (Human Alert & Abolition) contributed great tracks, making this comp. both a curiosity and a great listen.

Track List:

Sea Shepherd - "What About Love?"
Ivich - "Engrenage"
Human Alert - "We Could've Been/Fuck You, Fuck Me"
Finger Print - "Docility"
Abolition - "Wie Bitte?"

Download